
Well, this has been a great year for anticipated albums. After Animal Collective’s outstanding Merriweather Post Pavilion, this album from the Modern Electric was what I was most looking forward to. Becoming a sort of Chinese Democracy of the local-artist crowd, The Modern Electric had been working on it for about 3 years. Hailing from wonderful Willoughby, Ohio, I was first exposed to the group during their days as Dr. Salt and the Brown Sugar Blues Band, where they played organ-heavy blues-y carnival romps, with songs titled “Electric Grease Boogie”. Everyone I know from the area is crazy about this band, who have since adopted what they call “cinematic pop”, and their love is much deserved. Drawing influence from acts such as David Bowie (subject of one of the album’s best songs “David Bowie (Save Us All)”), the Arcade Fire and Spoon, these four young men (barely out of high school) create passionate indie pop reminiscent of vintage blazers, antique lamps, tinkling pianos, the warmth of a small fire and grainy 8mm film. Sporadically playing shows, anytime one can catch the band live, they are in for a treat. Last weekend, I was fortunate enough to see the band twice in the CD-release weekend celebration. Friday night, they performed an outstanding set in a roller rink, while Sunday evening found them rocking the Beachland Tavern. It might only be May, but I can assure you that this album from the piano-led group will rank highly on my end-of-the-year favorites list. They are easily one of my three favorite Cleveland bands, especially one that deserves more love. This is easily the most excited I’ve been about posting an album here and to put it bluntly, if you have ever enjoyed anything posted here, DOWNLOAD THIS ALBUM, its worth it.
*Note: this is not the official album artwork
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-Max